马隆布拉[电影解说]

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike PThis utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!详情

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  阴风阵阵[电影解说]

  达科塔·约翰逊,蒂尔达·斯文顿,科洛·葛蕾丝·莫瑞兹,米娅·高斯,杰西卡·哈珀,西尔维·泰斯蒂,安吉拉·温科勒,玛高莎·贝拉,英格丽·卡文

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  蒂姆·罗宾斯,凯莉·普雷斯顿,吕蓓卡·盖哈特,马丁·劳伦斯,吉安卡罗·埃斯波西托,迈克尔·麦基恩,约翰·C·麦金雷

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  詹妮弗·洛佩兹,刘思慕,斯特林·K·布朗,马克·斯特朗,格里高利·詹姆斯·科恩,拉娜·帕瑞娅,亚伯拉罕·波波拉,莱斯莉·费拉,佳尼斯·阿赫恩,阿尔弗雷多·塔瓦雷斯,保罗·盖恩斯,查理·海森,弗雪许·恰奇拉,Sean Berube,David Eby,布里埃拉·吉扎,Tracy Todd,Robert Dobson,Nicholas Walker,Patrick Millin

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  寻峰,魏巍,张安继,刘卫民,张希玲,黄骏,沈炜,崔月明,张恩宏,张成忠,孙花满,张跃宁,王振田,蒋荣全,宋文华,宋万熙,胡文丽,江锡荣

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  维杰·西图帕提,阿努拉格·卡施亚普,玛玛塔·莫汉达斯,那塔拉简·苏布拉马尼亚姆,阿比拉米,迪维亚·巴拉蒂,辛加姆普利,阿鲁多斯,穆尼什坎特,萨沙纳·纳米达斯,维诺德·萨加尔,马尼干丹,卡莱扬,丽齐·安东尼,穆拉伊·阿拉西,巴拉蒂·拉贾,舍纳潘·P·L,普瓦伊亚尔,维特里维尔·拉贾,莫汉·拉曼

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  威尔·法瑞尔,凯文·哈特,爱丽森·布里,艾丽·简,格雷格·T·尼尔森,保罗·本-维克托,丹·巴克达尔,玛丽安娜·宝拉·韦森特,T.I.,瓦内萨·阿玛雅,萨曼莎·博利厄,约翰·梅耶,苔伦特瑞尔