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This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike PThis utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!详情
辰塔维·塔纳西维,能提妲·索彭,瓦拉塔雅·宁枯哈
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艾曼纽·肖莱,索菲雷诺瓦,安妮-劳蕾 默里,艾瑞克维耶拉尔,法郎考斯艾瑞克金德伦
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洪金宝,吴耀汉,冯淬帆,岑建勋,秦祥林,钟楚红,成龙,叶童,林正英,夏文汐,太保,元彪,李赛凤,午马
史蒂夫·卡瑞尔,克里斯汀·韦格,本杰明·布拉特,米兰达·卡斯格拉夫,拉塞尔·布兰德,郑肯,史蒂夫·库根,艾尔西·费舍尔,达纳·盖尔,莫伊塞斯·阿里亚斯,纳西姆·帕杜雷德,克里斯汀·沙尔,皮埃尔·柯芬,克里斯·雷纳德,尼科莱·斯托伊洛夫,瓦妮莎·贝尔,艾娃·阿卡雷斯,罗里·艾伦,杰克·安杰尔,伊娃·贝拉,约翰·齐甘,黛比·德里贝里,杰斯·哈梅尔,丹尼·曼恩,莫娜·马歇尔,米凯·麦高万,Alec Medlock,拉瑞恩·纽曼,扬·拉布森,安德烈·鲁滨孙,吉姆·瓦德,艾普尔·温切尔,Bailey Gambert